Featuring interviews with Chet Baker's friends, ranging from ex-associates to ex-wives and children. Weber's film traces the musician's career from the 1950s, playing with jazz greats like Charlie Parker, Gerry Mulligan, and Russ Freeman, to the 1980s, when his heroin addiction and domestic indifference led to a relocation to Europe. By juxtaposing these two decades, Weber presents a sharp contrast between the younger, handsome Baker — the statuesque idol who resembled a mix of James Dean and Jack Kerouac — to what he became, “a seamy looking drugstore cowboy-cum-derelict”, as J. Hoberman put it in his Village Voice review.[3]
Let's Get Lost begins near the end of Baker's life, on the beaches of Santa Monica, and ends at the Cannes Film Festival. Weber uses these moments in the present as bookends to the historic footage contained in the bulk of the film.